The Rapture

Once upon a time, in the 1980s and early 1990s, American independent movies did not seek to merely ape Hollywood formulas. They were more than just feature-length resumes for shrewd, enterprising filmmakers who had nothing to say, but dreamed of saying it with a big-studio budget. Back then, independent films provided a different kind of movie experience; they challenged and provoked audiences--and none more so than 1991's The Rapture , written and directed by Michael Tolkin, the man who wrote the screenplay for The Player , Robert Altman's scathing anti-Hollywood comedy. Mimi Rogers plays Sharon, a lost soul who gives up her hedonistic life of sex and drugs when she finds God and becomes a fundamentalist Christian fanatic. Her pilgrim's progress, presented in a deadpan, nonjudgmental style, culminates quite literally in the title event--the Second Coming, the Apocalypse, the end of the world, or whatever you want to call it. Rogers's fearless performance becomes all the more provocati